I am looking for help writing a ---------- would be fiction in the category of Erotic Romance and Romantic suspense taking place in Walt Disney World. Between 50,000 and 90,000 words.
The writing will be s3xual and erotic. The story will take place with details of the location. The disney hotels, the disney parks, the festivals going on in the parks, etc.
Here is an example of what I am looking for:
Beginning (Act 1) represents 25% of the total story (example 20,000 words)
Middle (Act 2) represents 50% of the total story (example 40,000 words)
End (Act 3) represents 25% of the total story (example 20,000 words)
Act 1 – The Beginning
The purpose of Act 1 is to introduce your two main characters and to bring them ---------- ’s also where you’ll want to establish your character’s external goals and the main conflict that keeps them from their goals (and their relationship with each other). By the end of this section, your reader should be wondering, “will these two characters get together or not?” Act 1 includes these key story ---------- nts:
1. The Hook (around 1% or 800 words)
The Hook is your first opportunity to grab your reader’s attention and draw them into your story. Ideally this is where you’ll show your protagonist (or protagonists if you have more than one) in his or her everyday life and give the reader a glimpse of your character’s internal, emotional “issue” that’s standing in the way of him or her finding and accepting true love or a great relationship.
2. The Inciting I ---------- (around 12% or 9,500 words)
The Inciting I ---------- in a love story is ALWAYS when the two main characters meet, or when they first appear on the page together. Sometimes this meeting occurs because external forces push them together (such as friends or family encouraging the protagonist to find a partner), or because some life event puts the protagonist near a potential mate (such as a job, shared vacation, or disastrous weather event). Sometimes there’s an immediate attraction, and other times the characters instantly dislike each other for one reason or another and essentially “reject” the relationship. This meeting gives rise to your character’s object of desire, which is usually to pursue a romantic relationship or to run away from one.
3. The First Plot Point (around 25% or 20,000 words)
If your characters aren’t “stuck” together yet, the First Plot Point is usually an event or situation that sticks your characters together like glue. This could be because they’re in business together, they’re getting married out of convenience (like for a green card), they’re stranded in a snowstorm, they’re in a contest or battle together, etc. Whatever it is, there’s usually some kind of new development that raises the stakes and clearly defines each character’s goals. This is also where you can introduce an external goal that might be more specific to the sub-genre you’re writing in.
Act 2 – The Middle
The purpose of Act 2 is to let your two main characters start to fall in love, but not all the way—until they overcome their fear or false belief (or the lesson of the story). They need to start to reconcile their differing wants and needs. By the end of this section, something happens and the characters (temporarily) separated. The key story ---------- nts of Act 2 are:
4. The First Pinch Point (around 37% or 29,500 words)
A glimpse at the opposition, or what your character’s face in terms of both inner conflict and outer ---------- ually, by this point, the attraction is starting to build, and the characters may even start to think, “maybe love or a relationship wouldn’t be so bad…” Sometimes this is where your characters share their first kiss or first intimate ---------- nt together. For example, seeing the other character carry out a good deed, a fun ---------- nt, sharing personal truths or secrets, having to trust one another to accomplish some goal, etc.
5. The Midpoint (around 50% or 40,000 words)
Another new development raises the stakes (again). The Midpoint can either manifest as a “false-high” or a “false-low.” A “false-high” is when it appears that your two characters are committed and ready to live their lives “happily ever after” (HEA). This could manifest in your story as the ---------- nt the couple finally sleeps together, or a ---------- nt where they open up to each other like never ---------- could also be a ---------- nt where they finally admit to themselves that what they’re feeling might be true love. A “false-low” is when it appears that there’s no way that your two characters will ever commit—especially to each other. This could manifest as one person admitting their feelings and the other person saying they could never love them, or it could be a ---------- nt where they reaffirm their dedication to their individual goals that are a big source of the conflict in their relationship. Whatever the situation is—this ---------- nt usually causes your protagonist to look inside herself and consider what it is that she really, really wants (or needs).
6. The Second Pinch Point (around 62% or 49,500 words)
Another glimpse at the ---------- ually, this is more heavily weighted toward the character’s inner conflict—or what they need to overcome internally (fear or false belief) in order to receive true love. At the Second Pinch Point, the intimacy between your two characters might still seem to be growing, but your protagonist’s fear or false belief starts creeping back to the surface. For example, does your heroine think all men cheat? Does your hero think he needs to choose between love and career? Does your heroine think she’s unworthy of love because her dad left her and her mom? Whatever it is, this fear or false belief is nagging at your protagonist for one reason or another.
7. The Second Plot Point (around 75% or 60,000 words)
A new development that raises the stakes (again) to their all-time highest point. This is where the absolute worst thing that can happen to the heroine (or hero) happens; the betrayal that she always feared would happen happens. The trust given to her partner is broken. This is when your protagonist’s fear or false belief takes over, and they start to see their worries manifest in ---------- ually, it sounds like this, “I knew better than to think I deserve love/believe in love/want love because when I let my guard down, XYZ happens.” Because of this, there’s usually a breakup or a separation that makes it seem like a relationship is definitely off the ---------- ually, the romantic relationship’s importance jeopardizes one or both character’s chance to succeed as his or her external goal. Whatever happens, you want to show that both of your characters have a choice at this ---------- nt—they can choose love or choose fear—and one or both of them choose fear. Sometimes one will declare themselves, but the other doesn’t reciprocate for some reason related to their internal flaw or wound.
Act 3 – The End
The purpose of Act 3 is to bring your characters back together and deliver the “happily ever after” (HEA) ending that your readers are longing ---------- other words, this section provides the answer to the question raised in Act 1. The key story ---------- nts of Act 3 are:
8. The Crisis (around 88% or 70,000 words)
At the Crisis ---------- nt, one or both of your characters will have to d ---------- if it’s worth working through their inner conflict in order to accept true love, or if they’ll succumb to their internal fear or false belief and close themselves off to a ---------- ually, this is where the protagonist realizes what he or she must do to fix not only the external story problems but more importantly, their internal problems as ---------- ’s the ---------- nt where he or she figures out the solution to their big problem and learns the theme or life lesson of the story.
9. The Climax (around 90% or 72,000 words)
Almost always, the Climax of a love story will show the two characters getting back ---------- ually, there’s some romantic gesture or a scene where one of the characters proves their love for the ---------- ’s the answer to the question asked in the Inciting I ---------- , “will these two characters get together or not?”
10. The Resolution (around 98% or 78,000 words)
The Resolution shows the reader a glimpse of what life is like now that one or both of your characters has overcome their false belief and opened themselves up to true ---------- ’s the “happily ever after” (or the HEA) ending that readers have been waiting for since page one.
